Gardening Is Also What You Cut

photo by A. Lesik

photo by A. Lesik

The colossal rose bush I cut down
last year is coming back.

A new shoot unfurls from my garden 
like a mourner’s unexpected desire--

pliable thorns, buds red as doll lips--

and I know that means I have work 
to do, more tunneling into earth

hunting the bandit root I left
buried there last spring. 

But I am tired of returning to my knees, 

searching for the reason 
the gone keep coming back,

and also: you are dead. 

For years I treated grief like a ghost limb, 
an absence I could feel, incurable twinge.

But now I think grief is an addition--
just look at all this self I’ve kept intact: 

name-embroidered mouth, yard-soiled 
hands, shoulders saddled by absence. 

My grief squats on top of me like a wide-brimmed hat.

Today I bought the tiniest shears.

They wait on the kitchen counter 
for a day when there's a little less sun.

You died and left me a Bible, 
a jacket, a purple rabbit's foot, a gun.

Two blooms now, where there used to be one. 

Todd Dillard

Todd Dillard’s work has appeared or in The Offing, Electric Literature, The Adroit Journal, Fairy Tale Review, and HAD. His debut collection Ways We Vanish was released by Okay Donkey Press in 2020.

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