As the World Turns

in memory of Georgiana Pollard

 

I perch on the toilet behind the shut door,
knees clamped tightly, fingers in my ears,
watching globes rise and explode behind my lids.

I move a hand to the knob, try to pull the door tighter.
Beyond it, my mother, home from seeing patients,
cracks the air with her burning voice:

How can you, how can you drink
while you’re responsible for my child?
I can half-hear Georgie murmur in reply,

helpless in excuse, apology. And then she’s gone.
But I loved them both. Those long days, Georgie’s voice
wafting blues from the kitchen: This bitter earth,

well, what a fruit it bears. . . . 
How I sat with her,
pressed close to her warm body in its uniform,
as we watched soaps on our black-and-white TV.

Her apartment far downtown by the East River:
I stayed over there sometimes, thinking wonderingly,
she has another life. Yet trembling behind the door,

what could I say—what words find even here
to give myself back then? I was learning
my primal story: how an ordinary day can shatter,

how a woman can vanish, and there will be nothing
on earth I can do to stop it. I’ll come to know its room
always inside me—that bright, howling place.

Anne Myles

Anne Myles is the author of the chapbook What Woman That Was: Poems for Mary Dyer (Final Thursday Press, 2022). Her poems have appeared in On the Seawall, North American Review, Whale Road Review, I-70 Review and numerous other journals. Raised in Manhattan and New York’s Hudson Valley, she is a recent transplant from Iowa to Greensboro, NC. She is Professor Emeritus of English at the University of Northern Iowa, and received her MFA from the Vermont College of Fine Arts. She was co-winner of the 2022 ellipsis Award, a finalist for the 2022 James Applewhite Poetry Prize, and a three-time Pushcart nominee.

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On the Autoportrait: A New and Necessary Form